What`s usually called the Mormon Barn is properly the T.A.
PURCHASE
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Name:
"And One Sun For All"
Ref. Number:
0295 (Limited Edition - 777 copies)
Location:
Wyoming, USA
Category:
Artist`s Tale:
The T.A. Moulton Barn: Built In Stages Over Nearly Three Decades
What`s usually called the Mormon Barn is properly the T.A. Moulton Barn, part of the Mormon Row Historic District in Grand Teton National Park — often nicknamed "the most photographed barn in America." Thomas Alma Moulton started building it in 1913, originally just a flat-roofed shelter for his horses. He added the gabled hayloft roof in 1928, and the two lean-tos on either side weren`t finished until 1938 and 1939 — meaning the barn people photograph today is the product of nearly thirty years of incremental building, not a single construction project. Mormon Row itself dates back further, to the 1890s, when Latter-day Saint settlers crossed Teton Pass from Idaho and Utah under the Homestead Act to claim land here — the settlement was originally called Grovont. Most of the original homesteads are gone now; the barn is one of the few structures that survived the transition into parkland, added to the National Register of Historic Places in 1997. What makes the barn work as a photograph is almost architectural coincidence: its pointed gable roof, added fifteen years after the original structure, happens to echo the jagged line of the Teton Range rising directly behind it — a resemblance nobody planned for when Moulton was just trying to keep his horses out of the wind. Every piece in this collection is a limited edition, made to order and personally signed, printed on archival Fujiflex paper or as a Lumachrome TruLife acrylic face-mount, starting at $900. See the sizing guide for help choosing a size for your wall.Awards:
Bronze Award, The Epson International Pano Awards - 2013.
The Viewbug Staff Winter Selection 2015.
Print Information:
Alexander Vershinin individually produces limited edition prints to museum-grade standards, on world-leading photographic paper. The
Fujiflex Crystal Archive is an ultra-high-gloss, museum-grade photographic paper, with archival properties spanning over 70 years.
Alexander also offers the trademarked printing and mounting process
Lumachrome Gallery Deluxe, with archival properties spanning over 120 years.
Both processes deliver exceptional sharpness, contrast, and color reproduction.
Concentrated light hits the print, is held briefly in the silver crystals of the emulsion, and reflects back out — producing an image with real visual depth, almost as if it were lit from within.
The photograph is mounted to a rigid dibond backing plate and finished under Lexan or Perspex — a super-transparent, non-shattering, anti-glare acrylic. This acrylic layer is completely colorless and shows the print at its best.
It also blocks 98% of UV light and holds up well against weather, temperature, and humidity changes, which is a large part of what gives these pieces their long archival life. For a more classic, finished look, custom wooden
Roma frames are also available.
Each print is delivered with a signed Certificate of Authenticity, noting the work's title, edition number, and Alexander's original signature — a lasting record of provenance for your collection.
Whichever you choose — an unframed print rolled in a hard tube, an acrylic face-mounted float, or a finished framed piece — you're getting a real, collectible piece of fine art photography, produced to the highest standard available.
Delivery Information:
Our standard delivery time for unframed Fujiflex prints in hard tubes is 15–18 days worldwide, and it's absolutely FREE. Professional custom picture framing takes longer: framing alone takes about 20–25 days (shipping time not included), and some more elaborate projects may require 25–30 days for completion. Standard delivery time for framed and matted works, shipped in boxes and crates, is around 30 days.
Please inspect your artwork within 48 hours of delivery and report any damage within that window. Claims for replacement cannot be honored after the 48-hour period has passed.
Please inspect your artwork within 48 hours of delivery and report any damage within that window. Claims for replacement cannot be honored after the 48-hour period has passed.
Press & Editorial Use:
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