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Olympic Rainforest Photography, Washington State

The Masts and The Crows-Nest

Moss-draped trees in the Washington State rainforest
The Olympic Peninsula`s temperate rainforest gets somewhere between 12 and 14 feet of rain a year, which is what allows moss to grow so thick on tree trunks and branches that the trees themselves start to look built rather than grown — trunks rising like ship masts, moss hanging like rigging, with the highest branches reading almost like a crow`s nest lookout point.

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Name:
"The Masts and The Crows-Nest"
Ref. Number:
0312 (Limited Edition - 777 copies)
Location:
Washington, USA
Category:
Artist`s Tale:

Trees As Masts: A Visual Metaphor In The Rainforest

The Olympic Peninsula`s temperate rainforest gets somewhere between 12 and 14 feet of rain a year, which is what allows moss to grow so thick on tree trunks and branches that the trees themselves start to look built rather than grown — trunks rising like ship masts, moss hanging like rigging, with the highest branches reading almost like a crow`s nest lookout point. It`s an unusually specific visual comparison for a forest, but standing under one of these old-growth conifers, it`s hard not to see it. "The Masts And The Crow`s Nest" leans directly into that comparison, framing the trees the way you might frame a ship`s rigging rather than a typical forest canopy shot. It`s part of the same Olympic rainforest collection as "Words Of Silence" and "Predator," each shot under different light within the same stretch of forest.
Awards:
Silver Award, The Epson International Pano Awards - 2013
The Contest Finalist in Fields and Forests Photo Contest - 2017
Print Information:
Alexander Vershinin individually produces limited edition prints to museum-grade standards, on world-leading photographic paper. The Fujiflex Crystal Archive is an ultra-high-gloss, museum-grade photographic paper, with archival properties spanning over 70 years. Alexander also offers the trademarked printing and mounting process Lumachrome Gallery Deluxe, with archival properties spanning over 120 years. Both processes deliver exceptional sharpness, contrast, and color reproduction. Concentrated light hits the print, is held briefly in the silver crystals of the emulsion, and reflects back out — producing an image with real visual depth, almost as if it were lit from within. The photograph is mounted to a rigid dibond backing plate and finished under Lexan or Perspex — a super-transparent, non-shattering, anti-glare acrylic. This acrylic layer is completely colorless and shows the print at its best. It also blocks 98% of UV light and holds up well against weather, temperature, and humidity changes, which is a large part of what gives these pieces their long archival life. For a more classic, finished look, custom wooden Roma frames are also available. Each print is delivered with a signed Certificate of Authenticity, noting the work's title, edition number, and Alexander's original signature — a lasting record of provenance for your collection. Whichever you choose — an unframed print rolled in a hard tube, an acrylic face-mounted float, or a finished framed piece — you're getting a real, collectible piece of fine art photography, produced to the highest standard available.
Delivery Information:
Our standard delivery time for unframed Fujiflex prints in hard tubes is 15–18 days worldwide, and it's absolutely FREE. Professional custom picture framing takes longer: framing alone takes about 20–25 days (shipping time not included), and some more elaborate projects may require 25–30 days for completion. Standard delivery time for framed and matted works, shipped in boxes and crates, is around 30 days.
Please inspect your artwork within 48 hours of delivery and report any damage within that window. Claims for replacement cannot be honored after the 48-hour period has passed.
Press & Editorial Use:
Free to use in editorial content with attribution. See full licensing terms.


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